How To Return Home Sheet Music
Looking for sheet music? Non certain which key is right for you? Want to try out a Pop Ballad that you've never heard before? Yous've come to the right identify. This folio contains all the information nosotros think you could ever want about all of our songs currently available on NewMusicalTheatre.com. (Try searching past fashion or vocalization type!)
A duet from Tales From The Bad Years. As performed by Skylar Astin / Phoebe Strole, and Caissie Levy / Josh Young. Fundamental of Bb. The low annotation (male) is B3. The high note (female) is D5.
From Tales From The Bad Years. Equally performed by Emma Hunton and Lauren Samuels. Primal of Db. The low annotation is Ab3. The loftier annotation is Db5.
From Tales From The Bad Years. A whole step downwards from Emma Hunton's key. Key of B. The low notation is F#three. The high note is B4.
From Tales From The Bad Years. For baritones. Cardinal of Gb. The low note is Db3. The high annotation is Gb4.
From Tales From The Bad Years. A half step downward from Emma Hunton's central. Cardinal of C. The low annotation is G3. The high note is C5.
From Tales From The Bad Years. For tenors. Key of Ab. The low note is Eb3. The high note is Ab4.
From Tales From The Bad Years. Recommended for most belters. As performed by Kate Shindle, Lindsay Mendez, and Chloe Hart. The large sustained annotation is an Eb on "love." Key of Eb. The low annotation is Bb3. The high note is F5.
From Tales From The Bad Years. Recommended for women with a lower, heavier belt. Transposed a whole footstep down from the original. The big sustained note is a Db on "beloved." Cardinal of Db. The low note is Ab3. The high annotation is Eb5.
From Tales From The Bad Years. Transposed a whole step up from the original. As performed by Katrina Dideriksen & Laura Dickenson. Recommended for extremely high belters. The large sustained note is an F on "love." Central of F. The depression annotation is C4. The high notation is G5.
From Tales From The Bad Years. For a loftier, flexible tenor. The big sustained note is an A on "love." Key of A. The low note is E3. The high note is B4.
Key of D. Every bit performed by Andy Mientus. The low annotation is A2. The high note is G4.
A whole step down from the original key. Fundamental of C. The low note is G2. The loftier notation is F4.
Female version. Every bit performed by Jodie Jacobs. Key of Ab. The low notation is Eb3. The high note is Db5.
As performed by The Leap Standards, with Heather Robb singing pb. Suitable for about female person voices. Folky & elementary, with lush harmonies. Key of D. The low note is A3. The high note is C#five.
As performed by Nathan Tysen. Suitable for most male voices. Folky & simple, with lush harmonies. Key of Chiliad. The low note is D3. The high note is F#four.
Cut from Sam Chocolate-brown. Key of E. The low note is A3. The high note is E5.
From Republic. As performed by Laura Osnes. A half-step up from the original, for those who can't quite get down to the low Gbs. Yous can chugalug to the B on "rock" and then flip for anything higher. Fundamental of G. The low note is G3. The high note is D5.
From Commonwealth. Every bit performed past Catherine Porter. Suitable for almost female voices. You can belt to the Bb on "stone" and then flip for anything higher. Central of Gb. The low note is Gb3. The high note is Db5.
From The Woman Upstairs. Suitable for most female voices. (Katie Thompson'southward riffs notated, but optional!) Primal of 1000. The low note is G3. The loftier note is D5.
From The Adult female Upstairs. Should be suitable for most baritone voices. Primal of B. The depression note is B2. The loftier note is E4.
From The Woman Upstairs. A half-step up from the original, for those who can't quite become down to the low "Gs." Fundamental of Ab. The low note is Ab3. The loftier note is Eb5.
From The Woman Upstairs. Should be suitable for about tenor voices. Key of Db. The depression annotation is Db3. The loftier notation is Gb4.
Theme Song from FLASH OF Time, written for the Philadelphia International Festival of the Arts 2013. For a high, flexible beltress, and an optional gospel choir. Starts a one-half step down from Natalie Weiss'southward version - but and so there's a central change, so information technology all comes out in the launder. Key of B. The low note is F#3. The high notation is F#5.
Theme Song from Wink OF Fourth dimension, written for the Philadelphia International Festival of the Arts 2013. For a high, flexible belter, and an optional gospel choir. Unperformed key! Endeavour it out and post it on YouTube - your video could cease up hither! Key of F. The depression note is C3. The high note is C5.
Revised version, with alternate lyrics and a less taxing vocal range. Key of B. The depression notation is G3. The high notation is E5.
As performed by Kate Shindle on NEO: New, Emerging, Outstanding! Key of Bb. The low note is G3. The loftier note is E5.
From Sam Brown. Equally performed by Sarah Hyland and Melissa Benoist. Half step down from the Pheobe/Heléne and Meghann/Heléne versions. Recommended for most women! (Really, we promise! This is the best version.) Key of Due east. The low note is F#iii. The high note is C#5. (Loftier note doesn't include the optional loftier F# on Kelly's concluding "yeah!" )
A duet from Sam Brown, with none of the dialogue from the bear witness. Primal of F. The depression note is G3. The high notation is D5.
A duet from Sam Brown with dialogue included. Key of F. The low note is G3. The high note is D5.
From The Woman Upstairs. With optional backup vocals. Key of C. Low note is A3. Loftier note is F5.
As performed by Alice Ripley.
Female person version. (With Lindsay Mendez'due south riffs notated, merely optional!) Key of G. The low annotation is G3. The high note is E5.
Male version, as performed by Telly Leung. Key of C. The depression note is C3. The high note is A5.
A duet from Henry & Mudge. Fundamental of F.
As performed in Party Worth Crashing at the Paramount Theratre in Vermont, featuring Jenni Barber, Krysta Rodriguez, Noah Weisberg & Randy Blair. For v voices, simply can work for many (choirs, small ensembles, etc). Solo moments, as well equally a powerful group sound. Reasonable vocal ranges. Key of G.
Written as a submission for American Idol. Performed on the demo by Kate Shindle. Perfect for all of your competition and pageant needs. Key of F. The low note is G3. The high note is D5.
From The Adult female Upstairs. As performed by Alison Fraser and Claudia Carlsson. Key of Bb.
From Tales From The Bad Years. As performed by Melissa Benoist and Dee Roscioli. Key of E. The depression annotation is E3. The loftier notation is E5. (Does NOT nessessarily need to be belted - the song works for many different vocalization types.)
Key of Ab, as performed by Josh Young on his self-titled debut album.
Transposed for a baritone. Key of F.
For a female voice. Key of Eb.
From Tales From The Bad Years. As performed past Dee Roscioli & Mandy Gonzalez. Recommended version of the song. For high belters. Key of Gb. The low note is Gb3. The (optional) high note is E5; the sustained note on "jiff" is C#5.
From Tales From The Bad Years. For high tenors. Fundamental of C. The low note is C3. The high annotation is Bb4 - but it's fast, you really just demand a sustained G4. As performed by Daniel Boys.
From Tales From The Bad Years. Key of G. As performed by Natalie Weiss on Our First Mistake. Loftier note is an F on "NOT the same." The sustained "breath" is a D.
Cutting from Henry and Mudge. Highly recommended for whatever baritone! Cardinal of F.
A whole step downwards from the original key. Cut from Henry and Mudge. Recommended for a bass. Central of Eb.
A whole stride up from the original key. Cutting from Henry and Mudge. Recommended for a tenor. Central of G.
Suitable for most female voices. Key of Eb. The low note is F3. The high notation is Eb5.
Recommended for altos. Unperformed key! Attempt it out and mail service information technology on YouTube - your video could end upwardly hither! Fundamental of D. The low annotation is E3. The high note is D5.
As performed by Alysha Umphress. Recommended for a high belt or baritone. Key of F. The low note is G3. The high note is F5.
Recommended for tenors. Unperformed central! Endeavour it out and mail service it on YouTube - your video could end up here! Central of C. The low note is D3. The high note is C5.
Cut from Tales from the Bad Years. Equally performed by Morgan Karr. Recommended for high tenors. Key of Bb. The low annotation is C3. The loftier note is C5.
Cut from Tales from the Bad Years. Recommended for baritones and tenors. A half stride down from the original primal. Key of Ab. The low notation is Bb2. The high note is Bb4.
Cutting from Tales from the Bad Years. Recommended for most women. Key of Eb. The depression note is F3. The high note is F5.
Cut from Tales from the Bad Years. Recommended for baritones and sopranos. Key of G. The depression note is A2. The loftier annotation is A4.
From The Woman Upstairs. Key of D. Equally performed by Rachel Potter, Uzo Aduba & Pearl Lord's day. The low notation is F#three. The loftier note is D5.
From The Woman Upstairs. Recommended for altos. Unperformed central! Endeavour it out and mail it on YouTube - your video could terminate upward here! Central of C. The low notation is E3. The high note is C5.
From The Woman Upstairs. Recommended for baritones. Unperformed central! Endeavour it out and post information technology on YouTube - your video could end up here! Primal of F. The low note is A2. The high note is F4.
From The Woman Upstairs. Recommended for tenors and women with a lower belt. Unperformed central! Try information technology out and post it on YouTube - your video could stop up here! Key of Ab. The low notation is C3. The high note is Ab4.
Adorable. Key of A. As performed by Nadia Quinn & Meghann Fahy. The depression note is A3. The high note is D5.
Unperformed key! Try information technology out and post information technology on YouTube - your video could finish up hither! Key of C. The low annotation is C3. The high notation is F4.
Unperformed central! Try information technology out and mail it on YouTube - your video could end up here! Key of D. The low notation is D3. The high note is G4.
Male/female duet from Tales From The Bad Years. Key of C. As performed by Carrie Manolakos and Nathan Tysen. Female person song range is A3-C5, with optional riffs to G5. Male vocal range is D3-G4. Fill-in optional, and doable with various combinations of voices.
A duet for two (drunk) women from Tales From The Bad Years. As performed by Caissie Levy & Morgan Weed. Key of G. The low notation is G3. The high note is D5.
A solo version of the song, every bit performed by Jake Wilson on The Bombardment's Downward. Key of D. The low note is D3. The high note is F#iv.
Male/female duet reprise of the song, performed by Jake Wilson and Haviland Stillwell on The Battery's Down. Cardinal of D. The depression note is D3. The high notation is A4.
From Tales From The Bad Years. As performed by Matt Doyle & Andy Mientus. For a tenor. The sustained high note is an A4 on "autumn." Central of Db. The depression annotation is Db3.
From Tales From The Bad Years. For a baritone. The sustained loftier notation is a G4 on "fall." Key of B. The low annotation is A#2.
From Tales From The Bad Years. As performed by Jodie Jacobs. For a belter. Key of Ab. The low annotation is Ab3. The loftier note is E5 (on "autumn").
From Tales From The Bad Years. The definitive Kerrigan-Lowdermilk rap vocal. Key of F.
Duet nearly a brother and sister relationship. Key of Db. Male range: C3 to Gb4. Female range: F3 to Db5.
From The Freshman Experiment. Neat for well-nigh female voices. Folky and simple. Primal of F. The low note is C4. The loftier note is E5.
From Henry & Mudge. Primal of Eb. Equally performed by Jenni Barber, Jen Cody and Colleen Ballinger. The depression notation is Bb3. The high note is Eb5 (on the concluding "Dress!").
From Tales From The Bad Years. Key of Bb. As performed by Kelli O'Hara, Lisa Brescia, Lisa Howard & Laura Michelle Kelly. The depression note is A3. The high note is Eb5 (on "we'd know").
From Tales From The Bad Years. A whole step down from the original version. Key of Ab. The low annotation is G2. The high annotation is Db5 (on "we'd know").
From Tales From The Bad Years. Cardinal of C. The low notation is B3. The loftier note is F5 (on "we'd know").
From Tales From The Bad Years. Not quite the same as the Josh Young version (Eb) or the Anthony Rapp version (D) - simply it's the closest one you'll find. Exactly the same equally the original, only transposed. Fundamental of Db. The low annotation is C4. The high note is Gb5 (on "we'd know").
From Tales From The Bad Years. Recommended for belters. Cardinal of Bb. Equally performed by Kate Shindle & Heléne Yorke. The low note is A3. The high notation is D5 (sustained D on "ran").
From Tales From The Bad Years. Recommeded for slightly lower belters. Key of Ab. The depression notation is G3. The high annotation is C5 (sustained C on "ran").
From Republic. For lower baritones. Key of A. The depression annotation is Ab2. The high note is F4.
From Democracy. For baritenors. Key of B. The low notation is Bb2. The loftier annotation is G4.
From Republic. For baritones. Every bit performed by Ben Crawford & Zach Altman. Key of Bb. The low annotation is A2. The high annotation is F#four.
From Democracy. For tenors. Key of C. The low note is B2. The high annotation is G#four.
From Commonwealth. For loftier tenors. Equally performed by Josh Young and Anton Zetterholm. Key of Db. The depression notation is C3. The high note is A4.
Male/female duet from Hot Mess In Manhattan, as performed in the show. Recommended for virtually women and a very high tenor. Cardinal of D. The low note is F#3. The loftier note is B4.
Male person/female duet from Hot Mess In Manhattan, a whole step downward from the show cardinal. Recommended for tenors and altos. Key of C. The low notation is E3. The high annotation is A4.
Duet from Hot Mess In Manhattan transposed for two women. Fundamental of Eb. The low note is G3. The high annotation is C5.
From Tales From The Bad Years. Contains all dialogue and phase directions. Can be performed by 3 women, or substitute a male performer for Woman 3. As performed past Meghann Fahy, Cortney Wolfson & Colleen Ballinger. Key of F.
Cut from Tales from the Bad Years. For two women and one man. Equally performed by Heléne Yorke, Caissie Levy and Dennis Moench. Too performable by 3 women. Key of D. Reasonable vocal range - ladies belt to Bb4. Also works equally a grouping number for an infinite number of performers.
From Sam Chocolate-brown. Primal of D. Recommended key for about singers. Range is D4-Eb5 (the high note is on "your Manus might shake").
From Sam Chocolate-brown. A one-half step down from the bear witness key. Key of Db. Range is Ab4-D5 (high note is on "your Mitt might milk shake").
From Sam Brown. A half step upwards from the evidence key. As performed by Meghann Fahy. Key of Eb. The low notation is Eb4. The high annotation is E5 (on "your HAND might shake." If that sounds high to yous, consider the version in the central of D.)
From Republic. Equally performed by Zach Altman. Recommended for baritones. The sustained final note is an F on "Rise." Central of East. The depression note is A2. The high note is F#iv.
From Republic. As performed past Michael Arden and Stuart Matthew Cost. Recommended for tenors. The sustained final note is a One thousand# on "Ascent." Primal of G. The depression notation is C3. The high note is A4.
From Sam Brownish. As performed past Michael Arden. A half step down from the high tenor version. Key of Ab. The depression note is C3. The loftier note is Ab4.
From Sam Brown. Recommended for baritones. Key of F. The depression note is A2. The high note is F4.
From Sam Brown. As performed past Carrie Manolakos on Kerrigan-Lowdermilk Live. This is a "pop version" of the song designed for guitar, but the sheet music also has a piano part. Key of E. The low note is G#3. The high note is E5.
From Sam Brownish. As performed by Aaron Tveit and Josh Young. Recomended for high tenors. Cardinal of A. The low note is C#iii. The high notation is A4.
From Sam Brown. This is a "pop version" of the song designed for guitar, but the canvass music besides has a pianoforte office. A whole step down from Carrie Manolakos's version. Cardinal of D. The low annotation is F#3. The high note is D5.
From Sam Brown. Every bit performed by Jeremy Hashemite kingdom of jordan. This is a "pop version" of the song designed for guitar, but the canvass music also has a pianoforte part. Key of A. The low note is C#3. The high note is A4.
Cut from Tales from the Bad Years. Equally performed past Matt Doyle on Kerrigan-Lowdermilk LIVE. Key of C. The low annotation is C3. The loftier note is G4.
From Sam Brown. Highly recommended version. As performed by Sarah Hyland, Meghann Fahy & Laura Osnes. Incorporates the piano part of the Our Start Mistake recording - ideal for any setting with solo piano. Key of Db. Starts out a half footstep higher up the original (depression note is an Ab). The loftier note is a sustained C on "Say."
From Sam Brownish. An older version of Say The Word transposed for an alto. Key of Bb. The low notation is F3. The high note is B5.
From Sam Brown. An older version of Say The Discussion transposed for a soprano. Key of D. The depression note is A3. The high note is Eb5.
From Sam Chocolate-brown. An older version of Say The Word, equally performed past Celia Keenan-Bolger, Patti Murin & Julie Reiber. Primal of C. The low notation is G3. The high notation is Db5.
Written for the 52nd Street Project with lyrics by 10-yr-sometime Adnan Ahmed. For ii unchanged boys' voices and ane girl. As performed by Lewis Grosso, Aaron Bantum & Sarah Safer. Key of G. The low annotation is G3. The high note is D5.
Written for the 52nd Street Project with lyrics by x-yr-old Adnan Ahmed. For 2 adult male voices and ane woman. Central of C. The low note is C3. The high note is G4.
Suitable for any female phonation. Jeanna de Waal'southward version. Key of E. The low note is B3. The high note is E4.
Performable by pretty much any male phonation. Andy Mientus version. Key of A. The depression note is E3. High note (A4) is optional.
Cut from Tales From The Bad Years. Love duet. Works well with warm, legit voices. Key of C.
Cutting from Tales From The Bad Years. Key of D. The low note is A2. The high ntote is Bb4.
Cutting from Tales From The Bad Years. Transposed ane step downward from the original. Key of C. The low annotation is G2. The high note is Ab4.
Cut from Tales From The Bad Years. Transposed two steps down from the original. Key of Bb. The depression note is F2. The high note is F#4.
Written with the students of Young People's Theatre Workshop under the direction of Claudia Carlsson. For a grouping of young voices. Key of C. The low note is G3. The high note is Db5.
From Tales From The Bad Years. Recommended for tenors - a whole step up from the baritone version. Jay Armstrong Johnson and Dennis Moench'southward primal, but the full-length revised version. Key of East. The depression annotation is B2. The loftier annotation is F#4. "Oh" backup optional - or only make the audition sing forth.
From Tales From The Bad Years. As performed by Jesse Ruben. Recommended for baritones. Key of D. The depression note is A2. The loftier annotation is E4. "Oh" fill-in optional - or but make the audition sing along.
From Wrong Number. Fundamental of C.
Written for Broadway South Africa 2010. Inspired past a personal essay written past Siphesihle Mabera, Grade 6A. Recommended for high belters. Equally performed and recorded past Rebecca Naomi Jones. Key of Eastward. The low note is G#iii. The low note is E5. Includes dense & impressive (but optional!) backup vocals.
From Sam Chocolate-brown, simply without the dialogue from the show. Equally performed by Laura Osnes & Nikki James. Key of D. The low note is G3. The high note is Db5.
A through-composed scene from the musical Democracy. As performed by Nikki James & Jeremy Jordan, and recorded by Laura Osnes & Ben Crawford. Both characters sing to an E. Suitable for most male and female voices, just specifically recommended for a baritone and a mezzo-soprano.
From Sam Brown. For most male voices. As performed by Nick Blaemire. Fundamental of E. The low notation is B2. The high note is A4. With optional fill-in vocals.
From Sam Brownish. Suitable for virtually female voices. Key of C. The low note is G3. The high note is F5. With optional backup vocals.
Cutting from Tales From The Bad Years. Primal of C. As performed past Skylar Astin & Randy Blair.
From Tales From The Bad Years. Big ensemble number. Perfect for showcases, cabarets, graduations, bar mitzvahs, etc. Key of G.
From Tales From The Bad Years. Morgan Karr's version transposed down a whole footstep. For baritones. Key of Ab. The low notation is G2. The high annotation is Ab4.
From Tales From The Bad Years. Carrie Manolakos's version - can piece of work as a solo or with backup. Primal of D. The depression annotation is C#3. The high notation is D5. (Don't be scared of the low notes - there are alternates written in, and you can "ghost" them. Anyway, it's *supposed* to sound low.)
From Tales From The Bad Years. Trio version of the song in a female fundamental. Key of E. The low note is D#3. The high note is E5.
From Tales From The Bad Years. Farah Alvin's version - can work as a solo or with backup. For a soprano or high belter. Key of F. The low note is E3. The loftier annotation is F5. (Don't be scared of the low notes - in that location are alternates written in, and yous can "ghost" them. Anyway, it'due south *supposed* to sound low. )
From Tales From The Bad Years. Key of Bb. As performed by Morgan Karr, Matt Doyle and Jay Armstrong Johnson. The depression annotation is A2. The loftier annotation is a sustained Bb4.
Written with the students of Young People's Theatre Workshop under the direction of Claudia Carlsson. A surprisingly moving song almost an elevator, performable by most solo performers or past a group. Key of C. The low notation is B3. The high note is C4.
Written with the students of Young People's Theatre Workshop nether the direction of Claudia Carlsson. A surprisingly moving song about an elevator, performable by most solo performers or by a group. A whole step up from the original, for a soprano or tenor. Key of D. The low note is C#4. The high note is D5.
From Tales From The Bad Years. As performed past Randy Blair & Barrett Foa. A half step downwards from the High Tenor version. Recommended for virtually men. Key of Bb. The low note is B2. The high notation is Grand#4 for Guy 1 and F#4 for Guy 2.
From Tales From The Bad Years. As performed by Andy Mientus and Steven Booth. Recommended for extremely high tenors. Key of B. The low note is C3. The high note is A4 for Guy 1 and G4 for Guy 2.
From Wrong Number. Primal of E.
From Wrong Number. As performed in Party Worth Crashing at the Paramount Theratre in Vermont, featuring Jenni Barber, Krysta Rodriguez, Noah Weisberg & Randy Blair. For 5 people, but tin work for any group size. Has the feel of an opening number, and an exciting & dense vocal arrangement. Fundamental of E.
From Incorrect Number. As performed by Joshua Henry. Recommended for tenors. Key of F. The low note is D3. The high annotation is Ab4.
From Wrong Number. Recommended for a baritone or soprano. Key of Eb. The low note is C3. The loftier note is Gb4.
From Wrong Number. As performed past Alison Fraser. Female version. Cardinal of C. The low notation is A3. The high annotation is Eb5.
Source: http://kerrigan-lowdermilk.com/sheet-music
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